For my collograph prints I wanted to get as much depth as I could from the greyboard print block I made, to do this I focused on layering scrap materials and creating a structural composition that resulted in a stronger contrast between the foregrounded elements and the negative space.

With my intaglio prints I used a previous art project I did of an observational sheep skull drawing, this allowed me to focus on carefully engraving the hatched shading onto acetate.